Unlike the LA-2A though, the Tube-Tech CL1 B has a clearer and transparent type of compression with low distortion.

So, it’s along the lines of the LA-2A which is the most popular Opto compressor. That simply means there are tubes in the circuit and there are transformers on the circuit. Even nowadays, a lot of trap vocals are tracked through the Tube-Tech CL1 B. The Tube-Tech CL1 B is a popular recording unit that’s been used in many of your favorite songs. Highly recommend and definitely a must-have in your list of the best compressors. I think this is the swiss army knife of compressors, am I wrong to say that? I believe I’m right though because whenever I think of compression this always comes first in mind. It’s also a versatile compressor, limiter, and can also be used just to add saturation as well as analog characteristics. You can use it for smooth compression or even make a voice punchy so that it can cut through the mix nicely.

One other amazing thing about the 1176 compressor is the fact that it will work perfectly in most cases. Since rap and hip-hop vocals are usually percussive and fast, the 1176 is often the best compressor for the job. The 1176 did set the standard for many compressors that came out after it was released, this is still happening even today.

It also has this desirable sonic character, making it a go-to compressor for most of the best mixing engineers in the world.

I like the fact that the output knob saturates the more you increase it. It’s a very fast compressor, which makes it capable of taming out the sharpest transients on a voice. David Weiss Apbest drum recordings, top drum recordings, Brooklyn hip hop, Brooklyn studio, Brooklyn hip hop studio, Brooklyn recording studio, hip hop, hip hop studio, NYC hip hop studio, NYC studio, NYC recording studio, Ndugu Chancler, drums on Thriller, Thriller drummer, Michael Jackson drummer, Kiara Mudd, Feel Good Inc.The 1176LN is a legendary FET compressor.

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